Before we even start to find hidden symbology, Leonardo Da Vinci dropped a casual hint for us to remember, when he named the "Madonna and the Carnation" by slipping in the Car-Nation we are told the real Holy-Circle Land is located else where, the Nation has moved on, and so has the Madonna.
This Madonna in the picture, is undoubtedly, Mary Magdalene, Da Vinci uses the shape of the Window-looking Glass, for us to confirm in our minds, whom he has intimated, the Large double M M windows
announce, that this Lady has been busy raising her family, the sky blue colour shade gives us another subtle clue, as this shade matches the Saint Andrew's Cross, national flag of Scotland.
When we enlarge the picture and view the landscape that Da Vinci has portrayed, many people whom have visited the Highlands of Scotland, will recognize the distinctive similarity of this area, the out of season brown heather and moss, that camouflage the deer, Da Vinci has captured this taint to perfection.
In Scotland a high peak is called a Ben, taken from the Hebrew word meaning "Son" Da Vinci has used a multitude of Bens to expose, the mass of Royal stone blood lineage.